Vermeer, Monet, Rembrandt

Forging the Frick Collections in Pittsburgh & New York

All tickets for Vermeer, Monet, Rembrandt are sold out


The Frick Pittsburgh partners with New York-based The Frick Collection for the first time to unite the collections of 19th-century industrialist Henry Clay Frick and his daughter, philanthropist Helen Clay Frick. Vermeer, Monet, Rembrandt: Forging the Frick Collections in Pittsburgh & New York explores the Fricks' shared passion for art collecting, how their iconic acquisitions shaped the museums they established, and how we define great art today.

Vermeer, Monet, Rembrandt features awe-inspiring masterworks, including works by Titian, Rembrandt, Monet, Degas, Whistler, El Greco, Ingres, and Vermeer—one of only 36 known works by the artist in the world. The exhibition marks a once-in-a-lifetime opportunity to see artworks from these two extraordinary collections alongside—and in some cases reunited with—one another.

The exhibition features one work by each of the titular artists, as well as works by Degas, Whistler, Ingres, Millet, van Dyck, Turner, El Greco, Titian, Sassetta, Cimabue, Corot, Ruysdael, Hals, Boucher, Chardin, Houdon, Fragonard, Gainsborough, Rubens, Hogarth, Lawrence, and many others.

The Frick Collection

The Frick Collection is known for its distinguished Old Master paintings and outstanding examples of European sculpture and decorative arts.

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The Frick Pittsburgh

The Frick Pittsburgh's permanent collections include fine and decorative arts, cars, carriages, and historic objects (including buildings).

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Exhibition Checklist

More than 100 pieces from The Frick Pittsburgh and The Frick Collection are included in Vermeer, Monet, Rembrandt. Find the full list below.

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Exhibition Labels and Texts

Vermeer, Monet, Rembrandt chronicles the collecting lives of industrialist Henry Clay Frick and his daughter Helen Clay Frick. Explore the story through exhibition texts, found below.

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Recorded Gallery Talks

Take a deeper dive into selected works found in Vermeer, Monet, Rembrandt with pre-recorded gallery talks.

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Due to the anticipated popularity of Vermeer, Monet, Rembrandt, guided group tours or private tours will not be offered. Individuals and groups are welcome to purchase exhibition admission tickets online or by calling 412-371-0600 ext. 1.

Self-guided groups should review our museum guidelines for self-guided groups prior to arrival. Click here to view the guidelines.


Guided student groups are more likely to be in the galleries on weekday mornings, but please note that you may encounter student groups while touring the exhibition at any time.

Program Information

Vermeer, Monet, Rembrandt: Forging the Frick Collections in Pittsburgh & New York

Dates: April 6, 2024 - July 14, 2024
Location: The Frick Art Museum
Admission:

Regular Admission

Experience Vermeer, Monet, Rembrandt from April 6 through July 14, 2024.

All tickets for Vermeer, Monet, Rembrandt are sold out


Free Admission Days

Enjoy free admission to Vermeer, Monet, Rembrandt on select days thanks to generous supporters. Free registrations for each day are required for entry. Please note: registrations are now full for all free admission days.

Sunday, April 14, 2024 (Reservations Full) — sponsored by Eden Hall Foundation
Saturday, April 27, 2024 (Reservations Full) — sponsored by an anonymous friend of the Frick
Saturday, May 4, 2024 (Reservations Full) — sponsored by PNC
Sunday, May 12, 2024 (Reservations Full) — sponsored by Bob Hernandez and Karen Blumen
Friday, July 12, 2024 (Reservations Full) — Free to All Farewell is sponsored by The Richard C. von Hess Foundation


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The Richard C. von Hess Foundation logo

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Gallery

Browse through a few of the pieces on display in Vermeer, Monet, Rembrandt: Forging the Frick Collections in Pittsburgh and New York.

(Header) Johannes Vermeer, Girl Interrupted at Her Music, ca. 1658-59. Oil on canvas, 15 1/2 x 17 1/2 in. (39.4 x 44.5 cm), The Frick Collection, New York; photo: Joseph Cosica Jr.

Johannes Vermeer, <em>Girl Interrupted at Her Music</em>, ca. 1658-59. Oil on canvas, 15 1/2 x 17 1/2 in. (39.4 x 44.5 cm), The Frick Collection, New York; photo: Joseph Cosica Jr.
Johannes Vermeer, Girl Interrupted at Her Music, ca. 1658-59. Oil on canvas, 15 1/2 x 17 1/2 in. (39.4 x 44.5 cm), The Frick Collection, New York; photo: Joseph Cosica Jr.
Claude-Oscar Monet, French, 1840-1926, <em>Banks of the Seine at Lavacourt (Bards de la Seine a Lavacourt)</em>, 1879, oil on canvas, 22 7/8 x 31 1/2 in. Purchased by Henry Clay Frick in 1901, Frick Art & Historical Center
Claude-Oscar Monet, French, 1840-1926, Banks of the Seine at Lavacourt (Bards de la Seine a Lavacourt), 1879, oil on canvas, 22 7/8 x 31 1/2 in. Purchased by Henry Clay Frick in 1901, Frick Art & Historical Center
Rembrandt Harmensz. van Rijn, <em>Self-Portrait</em>, 1658, oil on canvas, 52 5/8 x 40 7/8 in. (133.7 x 103.8 cm), The Frick Collection, New York; photo: Michael Bodycomb
Rembrandt Harmensz. van Rijn, Self-Portrait, 1658, oil on canvas, 52 5/8 x 40 7/8 in. (133.7 x 103.8 cm), The Frick Collection, New York; photo: Michael Bodycomb
El Greco (Domenikos Theotokopoulos), <em>Purification of the Temple</em>, c.1600, oil on canvas, 16 1/2 x 20 5/8 in. (41.91 cm x 52.39 cm), The Frick Collection, New York; photo: Michael Bodycomb
El Greco (Domenikos Theotokopoulos), Purification of the Temple, c.1600, oil on canvas, 16 1/2 x 20 5/8 in. (41.91 cm x 52.39 cm), The Frick Collection, New York; photo: Michael Bodycomb
Jean-Francois Millet, French, 1814-1875, <em>Shepherd Minding His Sheep</em>, c. 1863-66. Pastel, Conte crayon, and pen and ink on dark buff wove paper, 14 3/4 x 19 in. Frick Art & Historical Center, Pittsburgh.
Jean-Francois Millet, French, 1814-1875, Shepherd Minding His Sheep, c. 1863-66. Pastel, Conte crayon, and pen and ink on dark buff wove paper, 14 3/4 x 19 in. Frick Art & Historical Center, Pittsburgh.
Hilaire-Germain-Edgar Degas, <em>The Rehearsal</em>, 1878-1879, oil on canvas, 18 3/4 x 24 in. (47.63 x 60.96 cm), The Frick Collection, New York; photo: Michael Bodycomb
Hilaire-Germain-Edgar Degas, The Rehearsal, 1878-1879, oil on canvas, 18 3/4 x 24 in. (47.63 x 60.96 cm), The Frick Collection, New York; photo: Michael Bodycomb
Jean-Auguste-Dominique Ingres, <em>Comtesse d'Haussonville</em>, 1845, oil on canvas, 51 7/8 x 36 1/4 in. (131.76 x 92.08 cm), The Frick Collection, New York; photo: Michael Bodycomb
Jean-Auguste-Dominique Ingres, Comtesse d'Haussonville, 1845, oil on canvas, 51 7/8 x 36 1/4 in. (131.76 x 92.08 cm), The Frick Collection, New York; photo: Michael Bodycomb
Peter Paul Rubens, Flemish, 1577-1640, <em>Portrait of Charlotte-Marguerite de Montmorency, Princess of Conde</em>, c. 1610. Oil on canvas, 43 x 34 in. Frick Art & Historical Center, Pittsburgh.
Peter Paul Rubens, Flemish, 1577-1640, Portrait of Charlotte-Marguerite de Montmorency, Princess of Conde, c. 1610. Oil on canvas, 43 x 34 in. Frick Art & Historical Center, Pittsburgh.
Titian (Tiziano Vecellio), <em>Portrait of a Man in a Red Hat</em>, 1510s, oil on canvas, 32 1/4 x 28 in. (81.9 x 71.1 cm), The Frick Collection, New York; photo: Joseph Coscia Jr.
Titian (Tiziano Vecellio), Portrait of a Man in a Red Hat, 1510s, oil on canvas, 32 1/4 x 28 in. (81.9 x 71.1 cm), The Frick Collection, New York; photo: Joseph Coscia Jr.

A Tale of Two Fricks — Classic Beauty, To New York From Pittsburgh

 

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Emma Riva
New York Sun
Emma Riva

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