Future Exhibition

Small But Sublime:
Intimate Views by Durand, Bierstadt and Inness
May 15–August 15, 2010
The Frick Art Museum

Martin Johnson Heade, Jersey Meadows with a Fisherman, 1877

About the Exhibition

Nearly 20 American artists spanning the Hudson River School to American Impressionism are represented in these small-scale paintings from the superb collection of the Newark Museum.

Beginning with the Hudson River School in the 1820s, landscape served as a vehicle for expressing national identity and pride in the wonders of the land. Artists such as Albert Bierstadt (1830–1902), Asher B. Durand (1796–1886) and Jasper Cropsey (1823–1900) were intent on creating distinctly American scenes.

Later, during the Civil War and in the years following, this ardent nationalism waned as French landscape painting and the Barbizon school influenced a younger generation of painters including George Inness (1825–1894), John Pope (1820–1881) and Mary Moran (1842–1899).

 

 

 

 

 

 

 


By the 1890s, Impressionism, with its broken brushstrokes and brilliant hues became the avant-garde style in America.

Together, these small but sublime canvases provide an overview of the approaches to landscape in the second half of the 19th century and illustrate shifts in broader social attitudes toward nature and American identity. 

This exhibition is organized by the Newark Museum.


Above: Martin Johnson Heade (American, 1819–1904), Jersey Meadows with a Fisherman, 1877. Oil on canvas, 13 5/8 x 26 1/2 in. The Newark Museum, Sophronia Anderson Bequest Fund, 46.156.